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Topic: Momma Mia: Possible Spoiler  (Read 4884 times)

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Re: Momma Mia: Possible Spoiler
« Reply #45 on: January 05, 2009, 10:05:51 PM »

Jeremy Irons is, I think, the gentleman to whom you refer. It has been a very long time since I saw the French Lieutenant's Woman, but I am pretty sure that is right.


Quite right. Speaking of Jeremy Irons, have you ever seen Damage?  :o

Garry, what did you think of the new version of Brideshead Revisted? I have not seen it yet, but read the book and loved the TV production. Recently watched all of it again on DVD. 

« Last Edit: January 05, 2009, 10:11:22 PM by joysoula »


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Re: Momma Mia: Possible Spoiler
« Reply #46 on: January 05, 2009, 10:09:38 PM »
It's funny, I always pinned the DEFINITIVE Mr Darcy as Lawrence Olivier, but I've never really watched any of the subsequent adaptations of Pride and Prejudice. 

What's weirder on the Momma Mia connection that I found out from back tracing, is that the guy who played Mr Darcy from Momma Mia was opposite Kiera Knightley.  And she entered into my consciousness in a film called 'Atonement' where she wore the absolute totally sexiest dress EVER. 

There is NO WAY you could look at her in that green dress and not look on the movie database to find out who she was.  NO WAY.  But if she was playing Elizabeth in P&P, then *somebody* must have known she had talent.

Garry, agree with the comment about the "Green Dress".  But, for me, it was the "fountain scene" that did it, and absolutely no apology for that.  For to feel regret for having noticed such a thing, would have meant I had "crossed the bar", and been washed up somewhere along the Solent.

As for Pride and Prejudice; The Colin Firth and Jennifer Ehle version outshines all others.

Oh, and what is this Pierced Broznun?



For info.........

Crossing the Bar, a Sailor's Demise, taken from the poem by Alfred Lord Tennyson.

Sunset and evening star,
And one clear call for me!
And may there be no moaning of the bar,
When I put out to sea,

But such a tide as moving seems asleep,
Too full for sound and foam,
When that which drew from out the boundless deep
Turns again home.

Twilight and evening bell,
And after that the dark!
And may there be no sadness of farewell,
When I embark;

For tho' from out our bourne of Time and Place
The flood may bear me far,
I hope to see my Pilot face to face
When I have crossed the bar.
« Last Edit: January 05, 2009, 10:39:39 PM by PeterPerfect »


Re: Momma Mia: Possible Spoiler
« Reply #47 on: January 05, 2009, 10:43:01 PM »
Regarding the thread title, is it too late to mention that there are no letter 'o's in "Mamma Mia"?


Re: Momma Mia: Possible Spoiler
« Reply #48 on: January 05, 2009, 10:43:53 PM »
Garry, agree with the comment about the "Green Dress".  But, for me, it was the "fountain scene" that did it, and absolutely no apology for that.  For to feel regret for having noticed such a thing would have meant I had "crossed the bar", and been washed up somewhere along the Solent.

HAR!  I had forgotten about this thread.  She doesn't have even 1/10th the voluptuousness of Kate Winslet, and yet still mops up the floor with her.  Something about her poise or some such.

It's a shame they don't have a 'green dress' award.   :D


And for sure, anytime you want to bring ALT verse into it, I love it.  100%


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Re: Momma Mia: Possible Spoiler
« Reply #49 on: January 05, 2009, 11:14:59 PM »
HAR!  I had forgotten about this thread.  She doesn't have even 1/10th the voluptuousness of Kate Winslet, and yet still mops up the floor with her.  Something about her poise or some such.

It's a shame they don't have a 'green dress' award.   :D


And for sure, anytime you want to bring ALT verse into it, I love it.  100%

Agreed for part one.   We could always start such a thing for part two.  For part three, try this.
Turned into a beautiful song by Loreena McKennitt.  Frowned on at the time because it involved the shaky issue of a suicide.

    

The Lady of Shalott


Part I

On either side the river lie
Long fields of barley and of rye,
That clothe the wold and meet the sky;
And thro' the field the road runs by
To many-tower'd Camelot;
And up and down the people go,
Gazing where the lilies blow
Round an island there below,
The island of Shalott.


Willows whiten, aspens quiver,
Little breezes dusk and shiver
Thro' the wave that runs for ever
By the island in the river
Flowing down to Camelot.
Four gray walls, and four gray towers,
Overlook a space of flowers,
And the silent isle imbowers
The Lady of Shalott.

By the margin, willow veil'd,
Slide the heavy barges trail'd
By slow horses; and unhail'd
The shallop flitteth silken-sail'd
Skimming down to Camelot:
But who hath seen her wave her hand?
Or at the casement seen her stand?
Or is she known in all the land,
The Lady of Shalott?

Only reapers, reaping early
In among the bearded barley,
Hear a song that echoes cheerly
From the river winding clearly,
Down to tower'd Camelot:
And by the moon the reaper weary,
Piling sheaves in uplands airy,
Listening, whispers " 'Tis the fairy
Lady of Shalott."

Part II

There she weaves by night and day
A magic web with colours gay.
She has heard a whisper say,
A curse is on her if she stay
To look down to Camelot.
She knows not what the curse may be,
And so she weaveth steadily,
And little other care hath she,
The Lady of Shalott.

And moving thro' a mirror clear
That hangs before her all the year,
Shadows of the world appear.
There she sees the highway near
Winding down to Camelot:
There the river eddy whirls,
And there the surly village-churls,
And the red cloaks of market girls,
Pass onward from Shalott.

Sometimes a troop of damsels glad,
An abbot on an ambling pad,
Sometimes a curly shepherd-lad,
Or long-hair'd page in crimson clad,
Goes by to tower'd Camelot;
And sometimes thro' the mirror blue
The knights come riding two and two:
She hath no loyal knight and true,
The Lady of Shalott.

But in her web she still delights
To weave the mirror's magic sights,
For often thro' the silent nights
A funeral, with plumes and lights
And music, went to Camelot:
Or when the moon was overhead,
Came two young lovers lately wed:
"I am half sick of shadows," said
The Lady of Shalott.

Part III

A bow-shot from her bower-eaves,
He rode between the barley-sheaves,
The sun came dazzling thro' the leaves,
And flamed upon the brazen greaves
Of bold Sir Lancelot.
A red-cross knight for ever kneel'd
To a lady in his shield,
That sparkled on the yellow field,
Beside remote Shalott.

The gemmy bridle glitter'd free,
Like to some branch of stars we see
Hung in the golden Galaxy.
The bridle bells rang merrily
As he rode down to Camelot:
And from his blazon'd baldric slung
A mighty silver bugle hung,
And as he rode his armour rung,
Beside remote Shalott.

All in the blue unclouded weather
Thick-jewell'd shone the saddle-leather,
The helmet and the helmet-feather
Burn'd like one burning flame together,
As he rode down to Camelot.
As often thro' the purple night,
Below the starry clusters bright,
Some bearded meteor, trailing light,
Moves over still Shalott.

His broad clear brow in sunlight glow'd;
On burnish'd hooves his war-horse trode;
From underneath his helmet flow'd
His coal-black curls as on he rode,
As he rode down to Camelot.
From the bank and from the river
He flash'd into the crystal mirror,
"Tirra lirra," by the river
Sang Sir Lancelot.

She left the web, she left the loom,
She made three paces thro' the room,
She saw the water-lily bloom,
She saw the helmet and the plume,
She look'd down to Camelot.
Out flew the web and floated wide;
The mirror crack'd from side to side;
"The curse is come upon me," cried
The Lady of Shalott.

Part IV

In the stormy east-wind straining,
The pale yellow woods were waning,
The broad stream in his banks complaining,
Heavily the low sky raining
Over tower'd Camelot;
Down she came and found a boat
Beneath a willow left afloat,
And round about the prow she wrote
The Lady of Shalott.

And down the river's dim expanse
Like some bold seer in a trance,
Seeing all his own mischance--
With a glassy countenance
Did she look to Camelot.
And at the closing of the day
She loosed the chain, and down she lay;
The broad stream bore her far away,
The Lady of Shalott.

Lying, robed in snowy white
That loosely flew to left and right--
The leaves upon her falling light--
Thro' the noises of the night
She floated down to Camelot:
And as the boat-head wound along
The willowy hills and fields among,
They heard her singing her last song,
The Lady of Shalott.

Heard a carol, mournful, holy,
Chanted loudly, chanted lowly,
Till her blood was frozen slowly,
And her eyes were darken'd wholly,
Turn'd to tower'd Camelot.
For ere she reach'd upon the tide
The first house by the water-side,
Singing in her song she died,
The Lady of Shalott.

Under tower and balcony,
By garden-wall and gallery,
A gleaming shape she floated by,
Dead-pale between the houses high,
Silent into Camelot.
Out upon the wharfs they came,
Knight and burgher, lord and dame,
And round the prow they read her name,
The Lady of Shalott.

Who is this? and what is here?
And in the lighted palace near
Died the sound of royal cheer;
And they cross'd themselves for fear,
All the knights at Camelot:
But Lancelot mused a little space;
He said, "She has a lovely face;
God in his mercy lend her grace,
The Lady of Shalott."


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